Presented in no particular order. Each of these albums had heavy rotation for me circa 2003-2013 and still resonates with me today. If I recall, they were almost all purchased at the record store in downtown Saint Petersburg, Russia, where I dragged my missionary companions as often as I could and picked the brain of the owner to help me connect the dots from the classical music I was familiar with to the music of today. In many cases, these albums were my first exposure to composers whose music, ideas and lives have inspired me ever since.
Kurtág/Lutoslawski/Gubaidulina
Works for String Quartet
Arditti String Quartet
Particular standouts:
György Kurtág | Officium Breve In Memoriam Andreae Szervánszky Op. 28
The ending... a touching, fragment of a quotation from his teacher, Szervánszky
Witold Lutosławski | String Quartet
My first exposure to the composer whose ideas my composition students hear about almost every lesson
Sofia Gubaidulina | String Quartet No. 2
Expressive obsession around a single pitch
Voices of Nature
Alfred Schnittke | Arvo Pärt
Swedish Radio Choir/Tõnu Kaljuste
Particular Standouts:
Alfred Schnittke | Concerto for Choir
A healing litany of mankind's woes culminating in a cathartic artist's prayer for continued inspiration
Arvo Pärt | I Am the True Vine
Choral tintinnabuli shines new light on the words of Christ
Night Prayers
Kronos Quartet
Particular Standouts:
Sofia Gubaidulina | String Quartet No. 4
Still one of the most surreal string quartet experiences ever
Osvaldo Golijov | K'VakaratThe composer whose music overheard on NPR first got me curious about contemporary classical
Giya Kancheli | Night Prayers
A capstone to the entire colorfully brooding album
Baltic Voices 2
Estonian Philharmonic Chamber Choir/Paul Hillier
Particular Standouts:
Per Nørgård | Winter Hymn
This track hit me like a beacon of what sacred music could be like in the 21st century
Alfred Schnittke | Three Sacred Hymns
I honestly can't recommend everything on this album highly enough. This choir spoiled me as a composer.
John Tavener | We Shall See Him As He Is
BBC Welsh Symphony Orchestra/Richard Hickox
My first exposure to Tavener, this composition showed me how an idiosyncratic composer might express things both deeply, personally sacred and universally true.
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