Blessings of Service & Two New Hymns!

The links to the scores of the two new hymns are at the bottom, please check them out!

I recently attended a meet-and-greet event for graduate students in the Herberger Institute at ASU. I met architects, musicians, dancers, artists, industrial designers, and people whose degree descriptions I didn't understand at all. They were from China and Louisiana, D.C and Sudan, Iran and California. I've got to be honest, it was an exhilarating and welcome change of pace from BYU, where the odds of meeting somebody from a diverse background are much lower.

Karelian Soundscapes Newsletter #1 - What Else: From Russia with Love

Dear Backers and Friends,

Karelian Soundscapes is at last underway! You know that feeling of knowing just where you are on the map or globe? Right now that feeling tells me that I'm a few hundred yards away from Lake Onega in Russia. These last months of preparation have been extremely busy: I finished my master's thesis, graduated with my Master's Degree in Composition, had my first orchestral premier, and I got everything ready for this trip, including the very arduous visa process. It got VERY close in the end, but I did get my visa which will in fact be good for three years. All the effort was worth it. 

The trip to Petrozavodsk

I left Salt Lake City on Tuesday, and flew all day and all night to arrive in St. Petersburg Wednesday afternoon. On the long overseas flight, a very kind Russian sailor named Nikita carried on a very interesting conversation with me in Russian, which helped jumpstart my Russian speaking. I immediately threw myself at the mercy of my ability to get around in Russia, taking a bus from the airport to the nearest metro station, and from there transferring lines until I reached the Ladozhskii Train Station, where I caught my first break and waited until 11pm, when the train left for Petrozavodsk. I slept very soundly and arrived in Petrozavodsk at 6:40 am on Thursday, eventually getting settled in my apartment.

Thursday, May 2nd

As soon as I could I had a walk around with my recorder, trying to get the hang of things. I discovered that it picks up EVERYTHING, which means I've got to stay stationary to get really good samples. Also, just in the few days since I've arrived, Lake Onega is 'opening up' as they say, from the winter ice, and so there has been an uncharacteristic amount of wind. I've got a good windscreen for my recorder but it is no match for some of this wind. Fortunately it is calming down the last few days! In the evening on Thursday I stopped by the local branch of my church here in Petrozavodsk and happened to arrive at the same time as several American serving here. After the last day of having been all on my own in Russia it was a welcome meeting. After that I visited the Alexander Nevski Cathedral, where they were having their one of their Easter week services. (The Russian Orthodox Church celebrates holidays by the old calendar, so Christmas is in January and Easter in May). Afterwards I was invited to attend the Easter Vigil on Saturday night, more on that later! I closed the evening by walking along the bank of the Onega, where I met some college age Russian students with whom I had a great time and who were very interested in my project. They even sang me some of the Karelian songs they learned in school, particularly one about Petroskoi, the Karelian name for Petrozavodsk.

Five things you probably didn't know about the atomic bombings of Hiroshima and Nagasaki

Update:
The concert recording of Shadow Etchings is now available to listen here or on Soundcloud!



Original Post:
Tuesday, April 2nd 2013 will hear the premier of my orchestral piece Shadow Etchings by the BYU Symphony Orchestra. The work is inspired by photographs of 'atomic shadows' taken after the atomic bombing of Hiroshima and  Nagasaki. These photographs portray residual shadows from the silhouettes of various objects vaporized by the flash of the explosion. Here is an example that I an pretty sure is legitimate:

Kickstarter Success and Other Updates

Seeing my Kickstarter project Karelian Soundscapes get more than fully funded this last Friday was a beautiful experience. I felt so loved to see over 100 people give generously of their time and money to get the word out and support my efforts.

Now things move into the next phase: getting visas (since we raised the goal of $7000, we will be able to separately pay for my wife to come for at least part of the trip!), making travel arrangements (international flight, train ride from St. Petersburg to Petrozavodsk), finding accommodations in Petrozavodsk, and refreshing my contact with people in Russia to let them know this is really happening. Oh, and purchasing and breaking in the recording and sound engineering equipment I'll need.

All that aside, I still have to graduate this spring! In fact, by March 22nd I will have completed everything except one final course I'm enrolled in this semester. Right now I'm working on my Master's thesis piece. It was originally going to be a concerto for harp and orchestra, but the more I thought about it the more that feels like a doctoral level or beyond sized project. In any case, I'm very excited about the current project - a lengthy piece for 12 musicians. I feel like I'm really starting to accumulate all the various things I've wanted to into a single piece. It will definitely be the first large piece that I will be able to point to and say, "This is representative of my music and style." Sometime in March/April there will be a concert which will include both this piece and my recent Pierrot ensemble piece End's Beyond, and perhaps a few other works which have yet to premier.

Besides that, the Map of Trees album should be finished soon, and I'm still planning on doing my installation piece Private Constellations in the ALMA Lab at BYU sometime this semester.

Busy days! In fact, I just flew back from an out-of-state interview at a graduate school that went quite well, I think! A few other news bits: my hymn It is Finished will soon be my first ever published piece of music (more details when I get them!) Also, I will be performing the electro-acoustic parts of Map of Trees at the Utah Crosstalk concert this Saturday - a joint venture of BYU and UofU. Finally, my composer website rmichaelwahlquist.com is now live!

The Rewards of Backing Karelian Soundscapes

Karelian Soundscapes has Launched at Kickstarter.com!

Please come check out my new Kickstarter project Karelian Soundscapes! Start by watching my video and then choose which reward level you would like to sign up for! As little as $1 gets you involved, but lots of unique rewards are available from $2 to $900. Help me create a new album of compositions inspired by the sounds of Russia. http://www.kickstarter.com/projects/rmichaelwahlquist/karelian-soundscapes

Day of Labor 2012

I spent today finishing my first saxophone quartet - Taiga Understory. 

In case you don't know, Taiga is the type of boreal forest that is found all through northern Canada (where it is called the Northwoods) and Scandinavia and Russia. Understory (or if you're British - Understorey) is another word for all the things that grow at the bottom of a forest, under the canopy of the trees. I have to admit, this is one time where the piece came first and the name later, although I think the cold, shadowy connotations of the title fit the music. I also like the wordplay of the term understory - like a synonym to subplot. The music is built of two contrasting ideas - an unfolding motive based on four contrasting interval sets, and a chord progression that I worked out one fine day this summer on the piano. Inevitably the two collide. The piece grows from quiet gestures and atmospheric dissonances to a swirling cacophony. I enjoyed taking advantage of the way that a group of saxophones can blend like no other.

I plan on holding a concert of my music this semester, hopefully we'll hear Taiga Understory. 

This is an example of the understory in Karelia.

Not as scary a I made it out to be, I know.

But still - it's the cloying stuff that tugs at your legs when you walk through the forest.