Unique Christmas music you should add to your collection this year

"Saxophone on the radio/Recorded 40 years ago/All I ever get for Christmas is blue"

If you're anything like me, you enjoy the Christmas season and the feelings of faith, nostalgia, and celebration that accumulate in December. As far as music goes, I do enjoy the Christmas classics, in measure (I wear out a little on Sinatra, love him though I do). But we've made it a tradition to add some new music to our rotation every year. From the Classical to the Modern, Jazz to Indie Rock, here are some unique favorites of the things we've collected so far - check out the list and let me know what music you can't wait to pull out for the Christmas season! (*SPOILER* the best is last - don't miss it!)

Private Constellations Installation

Poster announcing installation of Private Constellations

This last spring something really exciting went down that I wasn't able to talk much about because I was so busy getting ready to head out to Russia. But this project is in an exciting new branch of musical creation. Private Constellations was written between fall 2012 and spring 2013 and created as a 'sound installation' (something like a museum exhibit, where the sound is constantly playing). A large playlist of composed sound files was loaded onto twenty-one computers in a room, each playing different things at different volumes and different times. 

I have wanted to create something like a living web of music for a long time. The philosophical idea behind the piece is to create a unique musical experience for every person who experiences it. Just as countless individuals have looked at the stars over the millennia and declared various combinations of stars to be ‘their’ constellations, I want to give each listener the chance to experience something vast and yet unique to them. No two listeners will have quite the same experience when encountering the piece, for several reasons. First, the piece has a nearly infinite number of possible combinations. Second, the listener can choose their own route through the installation. Finally, each individual can choose how long to listen.

4 Non-music TED Talks that resonated with me as a composer

For the last several months I have been really inspired and motivated by TED Talks. The funny thing is that I can't help but think of my creative activity as a composer while I watch talks that often have nothing to do with music. Although there are some great talks about music, I'd like to share 4 that don't have any direct connection to music, and yet have inspired me in some way as a creative being. Whether it is turning constraints into creative opportunities, the awe of infinity, redefining what it means to be the best, or understanding that people with different tastes aren't wrong, these speakers have helped me start to think more openly and creatively. Click through after the break to read my thoughts and watch the clips.

St. Lawrence String Quartet Reads "The Roots of the Firmament"

When I heard that the St. Lawrence String Quartet was going to be doing a reading of pieces by student composers on campus at ASU, I knew that I didn't want to miss out on the opportunity. I also knew that I didn't really want to take out too much time from finishing up Karelian Soundscapes. So I gave myself a 24 hour period to compose something (really about 4 hours of writing and another 2 of cleaning everything up). The result is this: The Roots of the Firmament. The piece is compact and aphoristic, channeling a bit of Webern via Kurtag and my former professor Michael Hicks.

Blessings of Service & Two New Hymns!

The links to the scores of the two new hymns are at the bottom, please check them out!

I recently attended a meet-and-greet event for graduate students in the Herberger Institute at ASU. I met architects, musicians, dancers, artists, industrial designers, and people whose degree descriptions I didn't understand at all. They were from China and Louisiana, D.C and Sudan, Iran and California. I've got to be honest, it was an exhilarating and welcome change of pace from BYU, where the odds of meeting somebody from a diverse background are much lower.

Karelian Soundscapes Newsletter #1 - What Else: From Russia with Love

Dear Backers and Friends,

Karelian Soundscapes is at last underway! You know that feeling of knowing just where you are on the map or globe? Right now that feeling tells me that I'm a few hundred yards away from Lake Onega in Russia. These last months of preparation have been extremely busy: I finished my master's thesis, graduated with my Master's Degree in Composition, had my first orchestral premier, and I got everything ready for this trip, including the very arduous visa process. It got VERY close in the end, but I did get my visa which will in fact be good for three years. All the effort was worth it. 

The trip to Petrozavodsk

I left Salt Lake City on Tuesday, and flew all day and all night to arrive in St. Petersburg Wednesday afternoon. On the long overseas flight, a very kind Russian sailor named Nikita carried on a very interesting conversation with me in Russian, which helped jumpstart my Russian speaking. I immediately threw myself at the mercy of my ability to get around in Russia, taking a bus from the airport to the nearest metro station, and from there transferring lines until I reached the Ladozhskii Train Station, where I caught my first break and waited until 11pm, when the train left for Petrozavodsk. I slept very soundly and arrived in Petrozavodsk at 6:40 am on Thursday, eventually getting settled in my apartment.

Thursday, May 2nd

As soon as I could I had a walk around with my recorder, trying to get the hang of things. I discovered that it picks up EVERYTHING, which means I've got to stay stationary to get really good samples. Also, just in the few days since I've arrived, Lake Onega is 'opening up' as they say, from the winter ice, and so there has been an uncharacteristic amount of wind. I've got a good windscreen for my recorder but it is no match for some of this wind. Fortunately it is calming down the last few days! In the evening on Thursday I stopped by the local branch of my church here in Petrozavodsk and happened to arrive at the same time as several American serving here. After the last day of having been all on my own in Russia it was a welcome meeting. After that I visited the Alexander Nevski Cathedral, where they were having their one of their Easter week services. (The Russian Orthodox Church celebrates holidays by the old calendar, so Christmas is in January and Easter in May). Afterwards I was invited to attend the Easter Vigil on Saturday night, more on that later! I closed the evening by walking along the bank of the Onega, where I met some college age Russian students with whom I had a great time and who were very interested in my project. They even sang me some of the Karelian songs they learned in school, particularly one about Petroskoi, the Karelian name for Petrozavodsk.

Five things you probably didn't know about the atomic bombings of Hiroshima and Nagasaki

Update:
The concert recording of Shadow Etchings is now available to listen here or on Soundcloud!



Original Post:
Tuesday, April 2nd 2013 will hear the premier of my orchestral piece Shadow Etchings by the BYU Symphony Orchestra. The work is inspired by photographs of 'atomic shadows' taken after the atomic bombing of Hiroshima and  Nagasaki. These photographs portray residual shadows from the silhouettes of various objects vaporized by the flash of the explosion. Here is an example that I an pretty sure is legitimate: